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Written in fRoots issue 221, 2001
ARDAVAN KAMKAR
Over The Wind 
Traditional Crossroads 80702-4300-2 (2001)
The santur played by Kurdish Iranian Ardavan Kamkar, youngest member of the 
Kamkars Ensemble but here playing entirely solo, is of the usual Persian 
pattern, a small dulcimer with 9 groups of 4 steel strings divided by bridges, 
and a further 9 groups of brass strings that pass over the right-hand bridges, 
producing a total 27 notes. 
      Normally they would be tuned to a particular 
mode, but Kamkar uses his own tunings that access a greater chromaticism, 
allowing him to draw on several modes within one tuning. He explores the 
consequent possibilities to the full, in inventive compositions that float 
easily across the divide between the improvisatory life and fluency of Middle 
Eastern classical and folk musics and the scales and harmony of western music. 
Not only is his technique remarkable, involving equal weight to both hands 
rather than the right-hand dominance of many players, and feature cunning 
touches such as pitch bending, but he draws an unusually rich tone and spot-on 
intonation from an instrument that isn’t one of the easiest dulcimers to keep in 
tune.
      The long opener is an elegant contrapuntal piece 
largely in an unexpectedly western-sounding minor key that progressively adds in 
fast Middle-Eastern ripples and turns, returns to a reflective development of 
the theme over arpeggiated chording, moves to almost pianistic style before 
heading into another shimmering, trilling workout followed by a final 
re-statement of the theme. The other five tracks, between five and twelve or so 
minutes long, are similarly full of turns in pace and texture and integration of 
European-sounding and Middle Eastern approaches.
      It’s an album to cause any player of a hammered 
dulcimer type instrument to ponder and practise.
© 2001 Andrew Cronshaw
 
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