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Written in  
fRoots 
issue 274, 2006
MARENOSTRUM
Almadrava 
Som Livre SL 0675-2 (2005)
From Portugal comes this short burst of chugging, bouncing, danceable, 
rhythmically varied south-European music.  Marenostrum, a trio of lead 
singer, guitarist and mandolinist José Francisco, bassist and accordionist Paulo 
Machado and drummer Janaca, is from the coastal town of Tavira in south-eastern 
Algarve, and as the album title implies their lyrics often relate to the sea, as 
a poetic influence and perhaps the route to other musics. Their largely 
band-composed songs and tunes lurch cheerfully between the rhythms of southern 
Portugal and influences from Cape Verdean music with touches of African, 
klezmer, Latin and Andean. 
      Much of the character of this, their second 
album, comes from the contributions of the other musicians including Guinean 
guest electric guitarist Mamadi and, particularly, the combination of 
accordionist Emanuel Marçal and trombonist Victor Afonso. Though these two 
appear on most tracks and are a key part of the band’s sound and arrangements 
here, it seems they don’t perform with it live. 
      With several of the sort of tracks that might be 
picked up by world music radio DJs or downloaders, things go pretty well for a 
while. But those who buy the CD on the strength of that might find it a little 
disappointing. After just twenty-four minutes we’re at the penultimate track, a 
Cape Verdean traditional tune given a somewhat Andean treatment featuring 
flautist Sérgio Mestre, a friend of the band since its inception twelve years 
ago, who died in 2003 and to whom the album is dedicated. The piece, like most 
here, lasts a couple of minutes or so, but then the track runs on in silence, 
presumably in tribute, for a couple more, prompting the assumption the album has 
finished, though the piece is hardly a closer. Neither is the actual final track 
that follows, a slight two-minute last waltz of echoey space-synths and guitar 
from the core trio. And that’s it – just half an hour including silence. 
© 2006
Andrew Cronshaw
 
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