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Written in fRoots issue 217, 2001
ILGI
Seju Veju  
Upe UPE CD 016 (2000)
VARIOUS ARTISTS
Šupuldziesmas  
Upe UPE CD 018 (2000)
Until recently, very few Latvian roots albums existed, and hardly any on Latvian 
labels. Indeed it was, and still is, hard for a record label of any kind to be 
economically viable in the countries formerly in the Soviet Union, because if a 
CD proves popular it’s bootlegged and sold on market stalls throughout the land 
for a quarter the legit price.
     
But in Latvia there exists Ainars Mielavs’s Upe label, which despite all that has 
since 1997 released a string of well produced and beautifully packaged CDs, all 
distinctively Latvian and many of them with roots in or connections to 
traditional music. Mielavs is a radio broadcaster and the leader of popular rock 
band Jauns Meness, which has drawn unto itself members of folk band Ilgi, 
specifically multi-instrumentalist Maris Muktupavels and singer/fiddler Ilga 
Reizniece. In turn Ilgi has moved in an increasingly folk-rock direction.
     
The rockification of a traditional music tends to move it closer to a sort of 
European folk-rock mainstream. What keeps it characterful is usually the shape 
of the tunes, the vocal sound and the presence of some of the particular 
country’s traditional instruments. In Ilgi, apart from Reizniece’s fiddle plus 
guitar, bass and drums, those defining sounds are of the Latvian bagpipes and 
kokles (the Latvian form of the Baltic zither closely akin to the Finnish 
kantele), both played by Muktupavels, who is, incidentally, the brother of 
leading Latvian ethnomusicologist, kokles and bagpipe player Valdis Muktupavels. 
And Seju Veju “tie [or sow] the wind”) is the band’s most confidently assertive 
work yet, lively folk-rock with echoes of other European revivals indeed but 
full of the character of Latvian traditional song.
      Šupuldziesmas is the work of Reizniece and Muktupavels too, together with Gints 
Sola and others, but this isn’t folk-rock, but something much more serene, since 
the title means “lullabies”. Those here come from the collection of Jekabs 
Vitolins, and they’re sung gently unaccompanied or to gentle accompaniment 
largely led by kokles with occasional touches of atmospherics. This isn’t 
intended as an exhibit of dead songs; the booklet notes say “our hope is not 
that our lullabies supplant yours, but that this collection will encourage and 
inspire you to learn some new ones. Your children don’t really care whether you 
learned to sing in a classy choir or among the bears; they will, in any case, 
think your singing to be the very best.”
© 2001 Andrew Cronshaw
 
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